Not All Who Wonder Are Lost

“Our work of love should be to reclaim masculinity and not allow it to be held hostage to patriarchal domination. There is a creative, life-sustaining, life-enhancing place for the masculine in a non-dominator culture. And those of us committed to ending patriarchy can touch the hearts of real men where they live, not by demanding that they give up manhood or maleness, but by asking that they allow its meaning to be transformed, that they become disloyal to patriarchal masculinity in order to find a place for the masculine that does not make it synonymous with domination or the will to do violence.”
bell hooks, The Will to Change, p115. (via tiledsarenomore)

(Source: stickyembraces)

“Should the female die, the male will change sex rather than find another female, and then pair up with a single male clown fish. In this case, the absence of the female is the triggering factor in the male’s change.

On an interesting side note, this is the same type of fish seen in the Pixar movie Finding Nemo. In it, a love-struck clown fish’s wife dies and he is left to raise a child, Nemo, alone. In reality, Nemo’s father would have changed sex so that he might reproduce again with another unpaired male.”

evolutionfaq.com (via shizaminelli)

Regardless of biology, animated animal characters are almost always male. This trope (animal gender bender) is one of the best pervasive examples of male-centric media I can think of. 

(via superherojuice)

(Source: ragnaroktopus)

missmokushiroku:

“When we consider the myriad school shootings that have occurred between 1992 and 2002 (there have been twenty-eight cases), several constants stand out. All twenty-eight cases were committed by boys. All but one was committed by a white boy in a suburban or rural school. We speak of teen violence, youth violence, violence in the schools. but no one in the media ever seems to call it suburban white boy violence, although that is exactly what it is.

Try a little thought experiment: Imagine that all the killers in the more famous shootings in the 1990s - Littleton, Colorado; Pearl, Mississippi; Paducah, Kentucky; Springfield, Oregon; and Jonesboro, Arkansas, were black girls from poor families who lived instead in New Haven, Boston, Chicago, Newark. Wouldn’t we now be having a national debate about inner-city black girls? Would not the media focus entirely on race, class, and gender?

Of course it would: We’d hear about the culture of poverty; about how life in the city breeds crime and violence; about some putative natural tendency among blacks towards violence. Someone would probably even blame feminism for causing girls to become violent in vain imitation of boys. Yet the obvious fact that these school killers were all middle-class white boys seems to have escaped the media’s notice, in part because race, class, and gender are only visible when speaking of those who are not privileged by race, class and gender but invisible when speaking of those who are privileged by them.”

Michael Kimmel: Men, Masculinity, and the Rape Culture (via mollay)

(Source: bhr.off-the-chain.org)

nique:

Dear Pixar,

You know I love you, and you know that I love that you are making this movie and that I am going to be there on opening day with a giant bag of popcorn. But here’s the thing.

You’re making this movie about a main character that necessarily has to be female. She’s a princess, but she wants to do “boy stuff”. We get it. The story is all wrapped up in gender equality and this is totally a Girl Movie that needs to be made, but here’s my challenge to you:

Make a movie where the lead character just happens to be a girl.

There was no reason that Nemo had to be a boy fishie, or that Remy was a boy rat. I have to applaud you for not making a big deal that the kid in Up wasn’t white, but you’re not done yet. This is about challenging what it means to be “neutral”.  You want to make a main character someone that everyone can relate to, that kids will want to go see, and so you want to go neutral. I understand. But white males can be the ones to extrapolate for once. Please continue to push the boundaries. Don’t make Brave the only “girl movie” that you make.

And don’t make the next one a “Girl Movie”.

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